24 ideas
15533 | We can quantify over fictions by quantifying for real over their names [Lewis] |
15534 | We could quantify over impossible objects - as bundles of properties [Lewis] |
15532 | 'Allists' embrace the existence of all controversial entities; 'noneists' reject all but the obvious ones [Lewis] |
15535 | We can't accept a use of 'existence' that says only some of the things there are actually exist [Lewis] |
16665 | There are entities, and then positive 'modes', modifying aspects outside the thing's essence [Suárez] |
16666 | A mode determines the state and character of a quantity, without adding to it [Suárez] |
16667 | Substances are incomplete unless they have modes [Suárez, by Pasnau] |
17007 | Forms must rule over faculties and accidents, and are the source of action and unity [Suárez] |
16780 | Partial forms of leaf and fruit are united in the whole form of the tree [Suárez] |
16758 | The best support for substantial forms is the co-ordinated unity of a natural being [Suárez] |
16743 | We can get at the essential nature of 'quantity' by knowing bulk and extension [Suárez] |
16742 | We only know essences through non-essential features, esp. those closest to the essence [Suárez] |
22143 | Identity does not exclude possible or imagined difference [Suárez, by Boulter] |
22146 | Minor Real distinction: B needs A, but A doesn't need B [Suárez, by Boulter] |
22145 | Major Real distinction: A and B have independent existences [Suárez, by Boulter] |
22144 | Real Essential distinction: A and B are of different natural kinds [Suárez, by Boulter] |
22147 | Conceptual/Mental distinction: one thing can be conceived of in two different ways [Suárez, by Boulter] |
22148 | Modal distinction: A isn't B or its property, but still needs B [Suárez, by Boulter] |
22149 | Scholastics assess possibility by what has actually happened in reality [Suárez, by Boulter] |
20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
16682 | Other things could occupy the same location as an angel [Suárez] |